Sarah wrote The Basilica Remembers A Maestro for sackbuts and cornetts as an entry for the National Centre for Early Music Young Composers Award 2018 and is delighted that it has been shortlisted. The brief was to write a piece for the English Cornett and Sackbut Ensemble, taking inspiration from Venice; Sarah’s piece is influenced by Venetian polychoral style, Renaissance ornamentation and Monteverdi’s use of dance rhythms. The shortlisted works will be presented in a workshop led by composer Christopher Fox in York on 10th May, before a public concert that evening in front of the judges.
Sarah’s Pentecost motet, Factus Est Repente, has been selected for performance in 2018’s London Festival of Contemporary Church Music, and will be sung as the motet in Solemn Mass in St Mary of the Angels, Bayswater, on 20th May. This will be the piece’s fourth performance, and its London premiere, after its first performance in 2016 by the Chapel Choir of Fitzwilliam College Cambridge, and two performances in 2017 by Granta Chorale (one in Ely Cathedral Lady Chapel and the other in Saffron Hall).
Sarah’s setting of Sicut Cervus has been shortlisted for Buckfast Abbey’s Young Composers’ Competition. The competition forms part of a nine-day Festival of Sacred Music in April, which commemorates a thousand years since the Abbey’s foundation; Sarah wanted to reflect this long history in her setting, which references monastic chant and church modes. All the finalists’ pieces will be premiered on 19th April alongside the first performance of Matthew Martin’s new commission setting the same text, Sicut Cervus.
Caritas Chamber Choir, who commissioned Sarah’s Haec Dies, give the first performance in St Alphege Church on Easter Monday before taking the work on their tour to Sweden. Sarah’s setting interprets the celebratory text with fanfare-inspired melodies and aleatoric sections.